Sketchbooks disappear. Reconstructed through memory and machine.
These designs existed once—charcoal fever dreams on paper, designs for places inhabited by characters and stories that never leave you alone.
A theatre-in-the-round production set within a dark paper-mâché forest. Black rose stalks float downstream through a glowing river. Above, suspended mid-gallop, a paper-mâché black stallion with fiery red eyes watches over the unfolding tragedy.
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A garden that witnesses the slow fade of hope. The rosa mutabilis—the rose that changes colour from morning to evening—becomes the central metaphor made physical. A Spanish guitar hangs suspended, its strings silent as the years pass.
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A ruined church transformed into a memory-space. Grey cobblestone walls rise to arched stained glass windows depicting blue roses. Wire mesh fencing contains life-size glass animals that watch the action below. At centre stage, a transparent glass rocking horse.
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Epic theatre in neon and shadow. A Brechtian dreamscape where gods descend on industrial scaffolding and goodness is measured in tobacco smoke and borrowed money. The set exposes its own machinery, refusing the comfort of illusion.
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